Based on an episode of This American Life.

On the crime-ridden streets of Detroit, two cousins, AJ and Caesar, turn to drug dealing to survive. But the hypnotic world of narcotics and fast money is more dangerous than the two could ever imagine.

Deprived of her mother's attention and love throughout her life, Seniha grows up with a deep sense of jealousy towards her older brother, Halit. For her beauty-obsessed mother, Seniha is the ugly duckling, completely unfit for her noble and wealthy family. Her older brother, Halit, is the opposite. He is her mother's pride in every sense. Halit attends the best schools and takes advantage of the family's resources. He becomes both the country's most successful lawyer and its most promiscuous bachelor. Seniha, however, sinks deeper and deeper into the depths of her sense of worthlessness. She never finished school, never married, and has practically become a servant in her own home. She has become, as her older brother calls her, "Miss Nobody.

Depressed, small-town ventriloquist Henry finally comes out of his shell when his puppet ‘Moxxy’ begins speaking up for him. All is seemingly well until the cruel and charismatic puppet becomes uncontrollable, resulting in a bizarre battle of wills and even murder.

A geneticist wakes up from an accident with only fragments of his memory intact and is forced to relearn who he is via his twin brother. But as he digs deeper, he discovers he might not be who he thought at all.

It has been one hundred years since the first movie theatre was built in Korea. Today it is not just a place for the sake of art but a part of our daily lives. This is an omnibus film of three shorts, which the stories are involved with the 'special but friendly'space. The Famished is a sad fantasy of a man eating his memory for his hunger. Ten Million is a bloody thriller about living as a filmmaker in Korea, and The Loneliness of Butcher Boy is about the relationship between holiness and violation

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.Jim Buckley of the Pewter Plough Playhouse recalled:When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

William Klein has lived many lives. One of the world's most influential photographers, he pioneered the art of street photography and created some of the most iconic fashion images of the 20th century. He also made over twenty films, including the first ever documentary about Muhammad Ali and a brilliant satire of the fashion world, Who Are You Polly Magoo? 　　With a major Tate Modern exhibition currently celebrating his work, imagine... spends time with William Klein to discover the irrepressible, charismatic personality behind a remarkable creative life.

Ask any American worth their salt what they know about William Henry Harrison, and they'll probably say, "Well, I think he was that president who died only a month into office." Well, that person would be wrong. In truth, the president known as Ol' Tippecanoe actually rewrote American history. How did he do this? By faking his death and joining ranks with a shadow government known only as the Fraternity, which was, until recently, the most super secret conspiracy ever assembled: That is, until it stopped being a secret when a young female reporter found out and had the guts to report it. The Triumph of William Henry Harrison is the story of our ninth president, but it is also the story of Amanda Delacourt.

William McClusky (Sam Waterston) is a dashing and eccentric Scotsman whose charms rapidly overwhelm the sweet and naive Ann Walton (Jenny Agutter), but she nearly as quickly begins to comprehend that her new beau is anything but a one-woman man. In addition to his two ex-wives, with whom he remains remarkably close, William exhibits a disturbing attraction for nearly any female who crosses his path -- Ann's friends among them.